<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Film Baz Luhrmann</title>
	<atom:link href="https://www.cinerunner.com/baz-luhrmann/feed/" rel="self" type="application/rss+xml" />
	<link>https://www.cinerunner.com/baz-luhrmann/</link>
	<description>Leggi le recensioni dei film al cinema e guarda le classifiche dei migliori film</description>
	<lastBuildDate>Sat, 02 Jul 2022 19:15:07 +0000</lastBuildDate>
	<language>it-IT</language>
	<sy:updatePeriod>
	hourly	</sy:updatePeriod>
	<sy:updateFrequency>
	1	</sy:updateFrequency>
	<generator>https://wordpress.org/?v=6.3.8</generator>
	<item>
		<title>Elvis di Baz Luhrmann &#8211; Iconografia barocca</title>
		<link>https://www.cinerunner.com/2022/elvis-di-baz-luhrmann-iconografia-barocca/</link>
					<comments>https://www.cinerunner.com/2022/elvis-di-baz-luhrmann-iconografia-barocca/#respond</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Sat, 02 Jul 2022 19:15:06 +0000</pubDate>
				<category><![CDATA[2022]]></category>
		<category><![CDATA[Baz Luhrmann]]></category>
		<category><![CDATA[Biografico]]></category>
		<category><![CDATA[Film in Sala]]></category>
		<category><![CDATA[Tom Hanks]]></category>
		<category><![CDATA[Elvis Presley]]></category>
		<guid isPermaLink="false">https://www.cinerunner.com/?p=10418</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2022/07/Elvis0-150x150.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" srcset="https://www.cinerunner.com/wp-content/uploads/2022/07/Elvis0-150x150.jpeg 150w, https://www.cinerunner.com/wp-content/uploads/2022/07/Elvis0-125x125.jpeg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>ElvisIl manager di Elvis Presley, Tom Parker, soprannominato “Il colonnello”, poco prima di morire rievoca la storia della sua più grande creatura, da lui scoperta quando ancora era sconosciuta: Elvis, che tra gli anni ’50 e i ’70 diventerà The King e costruirà un mito sul quale tutta l’America dell’epoca si rispecchierà.Diretto da: Baz LuhrmannGenere: [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/2022/elvis-di-baz-luhrmann-iconografia-barocca/">Elvis di Baz Luhrmann &#8211; Iconografia barocca</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.cinerunner.com/2022/elvis-di-baz-luhrmann-iconografia-barocca/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Il Grande Gatsby non è Kill Bill &#8211; Quando l&#8217;estetica dell&#8217;accumulo non diventa arte</title>
		<link>https://www.cinerunner.com/analisi-critica-cinematografica/il-grande-gatsby-non-e-kill-bill-quando-lestetica-dellaccumulo-non-diventa-arte/</link>
					<comments>https://www.cinerunner.com/analisi-critica-cinematografica/il-grande-gatsby-non-e-kill-bill-quando-lestetica-dellaccumulo-non-diventa-arte/#respond</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Tue, 24 Sep 2013 09:00:00 +0000</pubDate>
				<category><![CDATA[Baz Luhrmann]]></category>
		<category><![CDATA[Editoriali]]></category>
		<category><![CDATA[Quentin Tarantino]]></category>
		<category><![CDATA[il grande gatsby]]></category>
		<category><![CDATA[kill bill]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/il-grande-gatsby-non-e-kill-bill-quando-lestetica-dellaccumulo-non-diventa-arte/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2013/09/great1-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" srcset="https://www.cinerunner.com/wp-content/uploads/2013/09/great1-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2013/09/great1-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Forse Il Grande Gatsby (2013) di Baz Luhrmann rappresenta la fine di qualcosa. La fine di un certo modo di pensare il cinema. Forse addirittura la fine di un&#8217;epoca. Come se si trattasse di una cesura temporale. La fine di un certo tipo di postmodernismo, l&#8217;incrocio tra il classicismo e la modernità. Tarantino aveva sperimentato [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/analisi-critica-cinematografica/il-grande-gatsby-non-e-kill-bill-quando-lestetica-dellaccumulo-non-diventa-arte/">Il Grande Gatsby non è Kill Bill &#8211; Quando l&#8217;estetica dell&#8217;accumulo non diventa arte</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.cinerunner.com/analisi-critica-cinematografica/il-grande-gatsby-non-e-kill-bill-quando-lestetica-dellaccumulo-non-diventa-arte/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Il Grande Gatsby, un mélo tra il kitsch sfrenato e Beautiful</title>
		<link>https://www.cinerunner.com/drammatico/il-grande-gatsby-un-melo-tra-il-kitsch-sfrenato-e-beautiful/</link>
					<comments>https://www.cinerunner.com/drammatico/il-grande-gatsby-un-melo-tra-il-kitsch-sfrenato-e-beautiful/#respond</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Fri, 17 May 2013 09:00:00 +0000</pubDate>
				<category><![CDATA[2013]]></category>
		<category><![CDATA[Baz Luhrmann]]></category>
		<category><![CDATA[carey mulligan]]></category>
		<category><![CDATA[Drammatico]]></category>
		<category><![CDATA[Leonardo DiCaprio]]></category>
		<category><![CDATA[isla fisher]]></category>
		<category><![CDATA[tobey maguire]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/il-grande-gatsby-un-melo-tra-il-kitsch-sfrenato-e-beautiful/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2013/05/gats1-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" srcset="https://www.cinerunner.com/wp-content/uploads/2013/05/gats1-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2013/05/gats1-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Il Grande GatsbyNel 1922 Nick Carraway si trasferisce a Long Island, dove conosce Gatsby, un milionario il cui passato è sconosciuto. Un giorno lo fa incontrare con Daisy, sua cugina, e la loro vita cambierà per sempre.Diretto da: Baz LuhrmannGenere: drammaticoDurata: 142'Con: Leonardo Di Caprio, Carey Mulligan Paese: AUSTR, USAAnno: 20135.9 Il pronostico della vigilia [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/drammatico/il-grande-gatsby-un-melo-tra-il-kitsch-sfrenato-e-beautiful/">Il Grande Gatsby, un mélo tra il kitsch sfrenato e Beautiful</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.cinerunner.com/drammatico/il-grande-gatsby-un-melo-tra-il-kitsch-sfrenato-e-beautiful/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Moulin Rouge come esperienza estetizzante di post Cinema Assoluto</title>
		<link>https://www.cinerunner.com/nicole-kidman/moulin-rouge-come-esperienza-estatizzante-di-post-cinema-assoluto/</link>
					<comments>https://www.cinerunner.com/nicole-kidman/moulin-rouge-come-esperienza-estatizzante-di-post-cinema-assoluto/#comments</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Sat, 12 Jun 2010 09:42:00 +0000</pubDate>
				<category><![CDATA[Baz Luhrmann]]></category>
		<category><![CDATA[Cinema anni 2000]]></category>
		<category><![CDATA[Ewan McGregor]]></category>
		<category><![CDATA[melodramma]]></category>
		<category><![CDATA[musical]]></category>
		<category><![CDATA[Nicole Kidman]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/moulin-rouge-come-esperienza-estatizzante-di-post-cinema-assoluto/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2010/06/d2383-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" loading="lazy" srcset="https://www.cinerunner.com/wp-content/uploads/2010/06/d2383-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2010/06/d2383-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Moulin Rouge!La storia d'amore impossibile tra Christian, uno scrittore squattrinato e Satine, la Star del famoso Moulin Rouge!Diretto da: Baz LuhrmannGenere: musicalDurata: 127'Con: Nicole Kidman, Ewan McGregor Paese: AUSTR, USAAnno: 20016.9 E&#8217; difficile, rischia di diventare estremamente complicato, per non dire impossibile il tentativo di imporre come capolavoro (post moderno?) un film come Moulin Rouge! [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/nicole-kidman/moulin-rouge-come-esperienza-estatizzante-di-post-cinema-assoluto/">Moulin Rouge come esperienza estetizzante di post Cinema Assoluto</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.cinerunner.com/nicole-kidman/moulin-rouge-come-esperienza-estatizzante-di-post-cinema-assoluto/feed/</wfw:commentRss>
			<slash:comments>1</slash:comments>
		
		
			</item>
		<item>
		<title>Abbie Cornish e Baz Luhrmann</title>
		<link>https://www.cinerunner.com/abbie-cornish/abbie-cornish-e-baz-luhrmann/</link>
					<comments>https://www.cinerunner.com/abbie-cornish/abbie-cornish-e-baz-luhrmann/#respond</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Sat, 27 Jun 2009 10:11:00 +0000</pubDate>
				<category><![CDATA[Abbie Cornish]]></category>
		<category><![CDATA[Baz Luhrmann]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/abbie-cornish-e-baz-luhrmann/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2009/06/cornish-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" loading="lazy" srcset="https://www.cinerunner.com/wp-content/uploads/2009/06/cornish-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2009/06/cornish-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Abbie Cornish potrebbe lavorare in un film (magari il prossimo) di Baz Luhrmann? Se il reista australiano sta cercando una nuova ttrice per il suo prossimo film, dato che la Campion ne ha fatto la protagonista del suo ultimo progetto passato in concorso a Cannes 62 (Bright star, in Italia verso la fine del 2009), [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/abbie-cornish/abbie-cornish-e-baz-luhrmann/">Abbie Cornish e Baz Luhrmann</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.cinerunner.com/abbie-cornish/abbie-cornish-e-baz-luhrmann/feed/</wfw:commentRss>
			<slash:comments>0</slash:comments>
		
		
			</item>
		<item>
		<title>Australia di Luhrmann e Legend di Ridley Scott</title>
		<link>https://www.cinerunner.com/nicole-kidman/australia-di-luhrmann-e-legend-di-ridley-scott/</link>
					<comments>https://www.cinerunner.com/nicole-kidman/australia-di-luhrmann-e-legend-di-ridley-scott/#comments</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Sat, 20 Jun 2009 17:08:00 +0000</pubDate>
				<category><![CDATA[Avventura]]></category>
		<category><![CDATA[Baz Luhrmann]]></category>
		<category><![CDATA[Cinema anni 2000]]></category>
		<category><![CDATA[Editoriali]]></category>
		<category><![CDATA[Nicole Kidman]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/australia-di-luhrmann-e-legend-di-ridley-scott/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2009/06/australia1-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" loading="lazy" srcset="https://www.cinerunner.com/wp-content/uploads/2009/06/australia1-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2009/06/australia1-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Australia Titolo originale:Australia Trama:La storia d&#8217;amore tra Lady Sarah Ashley e il mandriano Drover, nell&#8217;Outback australiano durante la Seconda Guerra Mondiale. Diretto da:Baz Luhrmann Interpreti:Nicole KidmanHugh Jackman Genere:avventura Paese di produzione:AUSTRALIA, USA, UK Durata:165&#8242; Anno:2008 VALUTAZIONE 4.7/10 Fonti:31. Info Il paragone mi viene solo adesso e mi rammarico per non averci pensato subito, ma la [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/nicole-kidman/australia-di-luhrmann-e-legend-di-ridley-scott/">Australia di Luhrmann e Legend di Ridley Scott</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
]]></description>
		
					<wfw:commentRss>https://www.cinerunner.com/nicole-kidman/australia-di-luhrmann-e-legend-di-ridley-scott/feed/</wfw:commentRss>
			<slash:comments>2</slash:comments>
		
		
			</item>
	</channel>
</rss>
