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<channel>
	<title>Film Steven Soderbergh</title>
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	<link>https://www.cinerunner.com/steven-soderbergh/</link>
	<description>Leggi le recensioni dei film al cinema e guarda le classifiche dei migliori film</description>
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		<title>La truffa dei Logan di Steven Soderbergh &#8211; Il Genere del cinema USA allo stato puro</title>
		<link>https://www.cinerunner.com/2017/la-truffa-dei-logan-di-steven-soderbergh-il-genere-del-cinema-usa-allo-stato-puro/</link>
					<comments>https://www.cinerunner.com/2017/la-truffa-dei-logan-di-steven-soderbergh-il-genere-del-cinema-usa-allo-stato-puro/#respond</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Mon, 11 Jun 2018 11:52:24 +0000</pubDate>
				<category><![CDATA[2017]]></category>
		<category><![CDATA[Commedia]]></category>
		<category><![CDATA[Film in Sala]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/?p=9479</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2018/06/Loagn0-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" srcset="https://www.cinerunner.com/wp-content/uploads/2018/06/Loagn0-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2018/06/Loagn0-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>La truffa dei LoganIn West Virginia, il minatore Jimmy Logan si mette d’accordo con il fratello Clyde, reduce della guerra in Iraq, e la sorella Mellie, per fare una rapina alla Charlotte Motor Speedway. Jimmy inoltre contatta in prigione l'esperto di esplosivi Joe Bang. La situazione si complica dal momento che la rapina dovrà avvenire [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/2017/la-truffa-dei-logan-di-steven-soderbergh-il-genere-del-cinema-usa-allo-stato-puro/">La truffa dei Logan di Steven Soderbergh &#8211; Il Genere del cinema USA allo stato puro</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
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		<title>In Trance di Danny Boyle &#8211; Thriller sovraeccitato e imprevedibile gioco di ruolo</title>
		<link>https://www.cinerunner.com/2013/in-trance-di-danny-boyle-thriller-sovraeccitato-e-imprevedibile-gioco-di-ruolo/</link>
					<comments>https://www.cinerunner.com/2013/in-trance-di-danny-boyle-thriller-sovraeccitato-e-imprevedibile-gioco-di-ruolo/#respond</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Tue, 24 Jun 2014 14:00:00 +0000</pubDate>
				<category><![CDATA[2013]]></category>
		<category><![CDATA[Editoriali]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[danny boyle]]></category>
		<category><![CDATA[de palma]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/in-trance-di-danny-boyle-thriller-sovraeccitato-e-imprevedibile-gioco-di-ruolo/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2014/06/boyle3-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" srcset="https://www.cinerunner.com/wp-content/uploads/2014/06/boyle3-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2014/06/boyle3-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Il cinema è un mosaico in continua trasformazione, un medium denso che calibra apparati visivi conformati come finestre che si aprono in un mondo più ampio, vario, eterogeneo. Nel suo ultimo film, In Trance, Danny Boyle rimette in discussione le regole del thriller, attuando una scomposizione interna al quadro che seduce, respinge, prende alla gola [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/2013/in-trance-di-danny-boyle-thriller-sovraeccitato-e-imprevedibile-gioco-di-ruolo/">In Trance di Danny Boyle &#8211; Thriller sovraeccitato e imprevedibile gioco di ruolo</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
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		<item>
		<title>Dietro i candelabri di Steven Soderbergh &#8211; L&#8217;autore si (s)materializza tra i lustrini</title>
		<link>https://www.cinerunner.com/biografico/dietro-i-candelabri-di-steven-soderbergh-lautore-si-smaterializza-tra-i-lustrini/</link>
					<comments>https://www.cinerunner.com/biografico/dietro-i-candelabri-di-steven-soderbergh-lautore-si-smaterializza-tra-i-lustrini/#respond</comments>
		
		<dc:creator><![CDATA[Denis Zordan]]></dc:creator>
		<pubDate>Wed, 11 Dec 2013 10:00:00 +0000</pubDate>
				<category><![CDATA[2013]]></category>
		<category><![CDATA[Biografico]]></category>
		<category><![CDATA[Drammatico]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[michael douglas]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/dietro-i-candelabri-di-steven-soderbergh-lautore-si-smaterializza-tra-i-lustrini/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2013/12/behind1-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" srcset="https://www.cinerunner.com/wp-content/uploads/2013/12/behind1-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2013/12/behind1-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Dietro i candelabriLa storia d'amore tra la star del cabaret Wladziu Valentino Liberace, segretamente gay, e il giovane Scott Thorson, consumatasi nel 1977. La relazione tra i due diventerà nel tempo molto seria, nonostante Liberace cambi amante con molta disinvoltura.Diretto da: Steven SoderberghGenere: drammaticoDurata: 118'Con: Michael Douglas, Matt Damon Paese: USAAnno: 20137.3 Dietro i Candelabri [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/biografico/dietro-i-candelabri-di-steven-soderbergh-lautore-si-smaterializza-tra-i-lustrini/">Dietro i candelabri di Steven Soderbergh &#8211; L&#8217;autore si (s)materializza tra i lustrini</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
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		<title>Steven Soderbergh &#8211; Il cinema mutante di Effetti collaterali</title>
		<link>https://www.cinerunner.com/analisi-critica-cinematografica/steven-soderbergh-il-cinema-mutante-di-effetti-collaterali/</link>
					<comments>https://www.cinerunner.com/analisi-critica-cinematografica/steven-soderbergh-il-cinema-mutante-di-effetti-collaterali/#respond</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Wed, 25 Sep 2013 09:00:00 +0000</pubDate>
				<category><![CDATA[Editoriali]]></category>
		<category><![CDATA[Jude Law]]></category>
		<category><![CDATA[rooney mara]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[catherine zeta jones]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/steven-soderbergh-il-cinema-mutante-di-effetti-collaterali/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2013/09/side-effects-picture03-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" loading="lazy" srcset="https://www.cinerunner.com/wp-content/uploads/2013/09/side-effects-picture03-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2013/09/side-effects-picture03-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Un&#8217;altra operazione di ingegneria narrativa. Con Steven Soderbergh i conti sembrano non essere mai chiusi. Dopo il capolavoro The Informant! (2009), Effetti collaterali (2013) segna un altro importante capitolo della trasformazione dei generi, nella filmografia di questo eclettico film-maker. Rooney Mara, Jude Law, Catherine Zeta-Jones assumono le fattezze di mostri, Soderbergh mette in scena follie [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/analisi-critica-cinematografica/steven-soderbergh-il-cinema-mutante-di-effetti-collaterali/">Steven Soderbergh &#8211; Il cinema mutante di Effetti collaterali</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
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		<title>Effetti collaterali: Soderbergh contro l&#8217;abuso da psicofarmaci</title>
		<link>https://www.cinerunner.com/2013/effetti-collaterali-soderbergh-contro-labuso-da-psicofarmaci/</link>
					<comments>https://www.cinerunner.com/2013/effetti-collaterali-soderbergh-contro-labuso-da-psicofarmaci/#respond</comments>
		
		<dc:creator><![CDATA[Denis Zordan]]></dc:creator>
		<pubDate>Thu, 09 May 2013 14:00:00 +0000</pubDate>
				<category><![CDATA[2013]]></category>
		<category><![CDATA[Channing Tatum]]></category>
		<category><![CDATA[Jude Law]]></category>
		<category><![CDATA[rooney mara]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<category><![CDATA[Thriller]]></category>
		<category><![CDATA[catherine zeta jones]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/effetti-collaterali-soderbergh-contro-labuso-da-psicofarmaci/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2013/05/side1-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" loading="lazy" srcset="https://www.cinerunner.com/wp-content/uploads/2013/05/side1-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2013/05/side1-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Effetti collateraliEmiliy Taylor è una donna affetta da depressione che decide di sottoporsi alle cure dello psichiatra Banks. Questo le prescrive dei farmaci sperimentali. Il marito della giovane, appena uscito di prigione, viene trovato morto. I primi sospetti conducono a lei.Diretto da: Steven SoderberghGenere: thrillerDurata: 106'Con: Rooney Mara, Channing Tatum Paese: USAAnno: 20136.5 Ci si [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/2013/effetti-collaterali-soderbergh-contro-labuso-da-psicofarmaci/">Effetti collaterali: Soderbergh contro l&#8217;abuso da psicofarmaci</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
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		<item>
		<title>The Informant!: una commedia politica, il miglior Soderbergh</title>
		<link>https://www.cinerunner.com/commedia/the-informant-una-commedia-politica-il-miglior-soderbergh/</link>
					<comments>https://www.cinerunner.com/commedia/the-informant-una-commedia-politica-il-miglior-soderbergh/#respond</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Mon, 21 Jan 2013 10:00:00 +0000</pubDate>
				<category><![CDATA[Cinema anni 2000]]></category>
		<category><![CDATA[Commedia]]></category>
		<category><![CDATA[Matt Damon]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/the-informant-una-commedia-politica-il-miglior-soderbergh/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2013/01/the_informant29-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" loading="lazy" srcset="https://www.cinerunner.com/wp-content/uploads/2013/01/the_informant29-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2013/01/the_informant29-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>The InformantNel 1992 Mark Whitacre, un biochimico della Archer Daniels Midland, una multinazionale agroalimentare americana, collabora con l'FBI per denunciare la truffa che la sua azienda nasconde da anni: la manipolazione del prezzo della lisina a livello globale.Diretto da: Steven SoderberghGenere: commediaDurata: 108'Con: Matt Damon, Tony Hale Paese: USAAnno: 20096.5 La quadratura del cerchio. A [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/commedia/the-informant-una-commedia-politica-il-miglior-soderbergh/">The Informant!: una commedia politica, il miglior Soderbergh</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
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		<title>Cinema d&#8217;autore &#8211; A Soderbergh la Palma, a Lynch la bocciatura</title>
		<link>https://www.cinerunner.com/analisi-critica-cinematografica/cinema-dautore-a-soderbergh-la-palma-a-lynch-la-bocciatura/</link>
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		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Sat, 26 Sep 2009 12:32:00 +0000</pubDate>
				<category><![CDATA[David Lynch]]></category>
		<category><![CDATA[Editoriali]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
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					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2009/09/stev1-150x150.jpeg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" loading="lazy" srcset="https://www.cinerunner.com/wp-content/uploads/2009/09/stev1-150x150.jpeg 150w, https://www.cinerunner.com/wp-content/uploads/2009/09/stev1-125x125.jpeg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Un giudizio così solo 5 anni fa sarebbe parso del tutto fuori luogo. Ma oggi va quasi impressione. Se dovessimo fare un confronto alla distanza tra il progetto sul Che firmato Soderbergh e il monumentale sforzo registico di Lynch INLAND EMPIRE, si potrebbe dire che la Palma andrebbe al primo. Un regista mercenario e manierista [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/analisi-critica-cinematografica/cinema-dautore-a-soderbergh-la-palma-a-lynch-la-bocciatura/">Cinema d&#8217;autore &#8211; A Soderbergh la Palma, a Lynch la bocciatura</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
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		<title>Ultimi atti di cinema classico &#8211; Il Petroliere e Che di Steven Soderbergh</title>
		<link>https://www.cinerunner.com/analisi-critica-cinematografica/ultimi-atti-di-cinema-classico-il-petroliere-e-che-di-steven-soderbergh/</link>
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		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Fri, 31 Jul 2009 10:32:00 +0000</pubDate>
				<category><![CDATA[Editoriali]]></category>
		<category><![CDATA[Paul Thomas Anderson]]></category>
		<category><![CDATA[Steven Soderbergh]]></category>
		<guid isPermaLink="false">http://www.cinerunner.com/uncategorized/ultimi-atti-di-cinema-classico-il-petroliere-e-che-di-steven-soderbergh/</guid>

					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2009/07/che1-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" loading="lazy" srcset="https://www.cinerunner.com/wp-content/uploads/2009/07/che1-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2009/07/che1-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>La ricerca definitiva dell&#8217;umano e del post umano è al centro degli ultimi film di Paul Thomas Anderson e Soderbergh: il dittico sul Che e Il Petroliere con Daniel Day-Lewis mattatore incontrastato. Mentre i due film di Soderbergh sono chiaramente un&#8217;operazione politica, un monolite antiretorico (in quanto progetto incentrato sulla messa in scena dell&#8217;Imprendibile e [&#8230;]</p>
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