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	<title>john badham articoli di cinema -</title>
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	<description>Leggi le recensioni dei film al cinema e guarda le classifiche dei migliori film</description>
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		<title>Il cinema come Time Machine</title>
		<link>https://www.cinerunner.com/analisi-critica-cinematografica/il-cinema-come-time-machine/</link>
					<comments>https://www.cinerunner.com/analisi-critica-cinematografica/il-cinema-come-time-machine/#respond</comments>
		
		<dc:creator><![CDATA[Michele Centini]]></dc:creator>
		<pubDate>Wed, 07 May 2014 14:00:00 +0000</pubDate>
				<category><![CDATA[Editoriali]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Ridley Scott]]></category>
		<category><![CDATA[spike lee]]></category>
		<category><![CDATA[john badham]]></category>
		<category><![CDATA[tom holland]]></category>
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					<description><![CDATA[<img width="150" height="150" src="https://www.cinerunner.com/wp-content/uploads/2014/05/blu1-150x150.jpg" class="webfeedsFeaturedVisual wp-post-image" alt="" decoding="async" style="float: left; margin-right: 5px;" link_thumbnail="" srcset="https://www.cinerunner.com/wp-content/uploads/2014/05/blu1-150x150.jpg 150w, https://www.cinerunner.com/wp-content/uploads/2014/05/blu1-125x125.jpg 125w" sizes="(max-width: 150px) 100vw, 150px" /><p>Il cinema come luogo di configurazione del passato, come strutturazione di un campo del sapere che appartenga ad un altro tempo, lontano ed indefinibile nella memoria. Ecco, se la memoria stessa dello spettatore tende, a distanza di anni dalla visione di un film, a modificare il film in questione, attraverso una diversa percezione delle immagini, [&#8230;]</p>
<p>Leggi il post <a rel="nofollow" href="https://www.cinerunner.com/analisi-critica-cinematografica/il-cinema-come-time-machine/">Il cinema come Time Machine</a> su <a rel="nofollow" href="https://www.cinerunner.com">CineRunner</a>.</p>
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